ALLEN & HEATH MixWizard Series User Manual download pdf (Page 3)

WZ14:4:2+

10 Mic/Line Inputs

◆

High gain, low distortion preamps

match all signals, from -60dBu.

distance miking to +10dBu high level

electronic instruments.

◆

Individually selected +48V.

Phantom Power on all mic/line inputs.

◆

Jack inserts on each input provide

easy access for gates, compressors etc.

◆

100Hz low-cut filters.

◆

Exceptional 4 band EQ with 2 mid

sweeps, with overlapping frequency for

complete corrective and creative access

to all frequencies. EQ bypass switches

enable easy in/out comparisons and

eliminate noise on untreated signals.

◆

Peak and PFL warning LED.

◆

6 aux sends on individual controls.

Auxes 1-4 and 5-6 can be set pre or

post fade for monitor feeds or fx

processing. Aux levels provide up to

6dB boost when needed. Sends are

taken post EQ, post on switch, though

internal links can enable changes to the

default settings if required.

◆

Channel ON switch with LED.

◆

Pan controls with centre detent allow

panning across groups and LR

◆

100mm smooth throw faders for

precision control and up to +10dB extra

boost.

◆

Direct outs are provided post-fade for

multitrack recording and special feeds.

2 Stereo Inputs

◆

Independent A and B sources on

phono and 1/4” jack connectors

respectively.

◆

4 band EQ.

◆

Routing to all 6 auxes, with internal

links allowing selected auxes to be

configured as stereos.

◆

Outputs to busses, with the stereo

image positioned via a balance control.

◆

Peak and PFL led and switch.

4 Stereo Returns

◆

Total of 8 possible fx returns (excluding the 2-

track return) on paired 1/4” jacks.

◆

Returns can be fed to corresponding auxes

(return 1 summed to aux 1, return 2 to aux 2 etc.).

Each return can also be fed to the LR.

◆

PFL switch and warning led.

Dual Functionality

WZ14:4:2+ excels as a F-o-H console,

as a Monitor mixer, or as a

combination of the two.

In F-o-H mode the 4 groups and LR

feed auditorium speaker arrays, delay

systems, dressing rooms, foyers etc,

whilst the aux sends provide local

monitors and fx.

WZ14:4:2+ becomes a dedicated

monitor console by activating

tamperproof mode switches. The aux

and group/LR feeds are swapped

over, giving XLR outs, inserts for

graphic EQ’s and 100mm fader

controls to all 6 aux mixes.

In Dual Mode, as many auxes and

groups are swapped over as

required, allowing all mixing

functions to be provided by a single

engineer and a single console.

Engineer’s Monitoring

LR output is monitored via 12

segment peak reading bargraph

meters, and by the headphone

socket (complete with independent

level control). PFL/AFL selections

override the LR feed, illuminating a

warning LED.

Groups and LR are also monitored

by a bank of six additional 4

segment level meters, allowing

output level monitoring even when

PFL/AFL is selected.

In monitor mode, the 4 segment

meters monitor auxes 1-6, whilst the

main 12 segment bargraph follows

auxes 5 and 6.

2-Track Send and Return

Separate phono connectors and level

trims are provided for 2-track

recording from the LR mix. Selecting

the LR replay button routes this signal

to the LR mix for intermission replay.

Mono Output

The LR mono sum is fed to a

balanced XLR output with level control

for broadcast feeds, F-o-H fills etc.

In monitor mode, the mono out can

be used to feed an engineer’s wedge

with any AFL/PFL signals.

Output Masters

Groups can be panned to the LR as

well as having their own outputs.

Signals are sent to the balanced XLR

outputs via the faders, on and AFL

switches. All XLR outputs have

inserts and peak reading meters.

In monitor mode, signals are sent to

the balanced jack aux send outputs,

via their level controls and AFL,

whilst benefiting from all master

output features.

Talkback to Auxes

A talkback mic can be connected via

a front panel XLR socket, allowing

talkback to auxes in selected pairs.

Oscillator & Pink Noise Generator

A 1kHz signal can be routed through

level controls and meters to 2-track

recorders for level alignments. A

pink noise generator allows checking

of frequency response and phase

connections for speaker arrays.

MF2 SWEEP

-15

+15

MF1 SWEEP

-15

+15

LF HF

-15

+15

0 100 1K 10K 30K

Inputs

Mono 1-10

Stereo ch 11-14

Stereo returns 1-4

2-track return

Talkback mic

Inserts

Channel 1-10

L-R mix/Groups

Outputs

Direct, ch 1-10

Aux 1-6

2-track send

L,R,M,Groups

Headphones

Mains power inlet

Connector

XLR

TRS jack

RCA phono

TRS jack

RCA phono

XLR

TRS jack

RCA phono

XLR

TRS Jack

Standard IEC

pin2 hot, 3 cold

tip hot, ring cold

tip hot (L for Mono)

tip hot, ring grnd

pin2 hot, 3 grnd

tip send, ring return

tip hot, ring cold

pin2 hot, 3 cold

tip L, ring R, on front panel

balanced } pad out

balanced } pad in

unbalanced

impedance balanced

balanced

unbalanced

balanced

30 to 600 ohm headphones recommended

Impedance

2k ohm

>10k ohm

2k ohm

<75 ohm, >3k ohm

<75 ohm, >7k ohm

<75 ohm

Level

-60 to -20dBu

-30 to +10dBu

-20 to +10dBu

-10dBu minimum

-40 to -15dBu

0dBu

-2dBu

-0dBu

+4dBu

-10 dBV minimum

+4dBu

3 pin L,N,E. IEC to moulded plug (country-dependent), internally wired for required worldwide voltage.

Apart from the headphone and talkback plugs on the front panel, all connections are made to the QCC panel which can be swung and fixed for rear or back orientation.

WZ14:4:2+ CONNECTIONS

1 2 3 4 5 6 7 8 9 10

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ALLEN & HEATH MixWizard Series User Manual Page 3

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