ALLEN & HEATH XONE:62 User's Guide download pdf (Page 19)

XONE:62 User Guide 19

1 CH1-2 MIC input. Balanced XLR. Plug in a

DJ, guest or announcement microphone here. Use

good quality low impedance dynamic mics such as

those specifically designed for vocals. Do not use

high impedance or unbalanced microphones, or

condenser types which require phantom power.

Use professional grade balanced cables wired as

CABLE D . Use the best cable and connectors you

can afford as these are typically subject to intense

use and abuse in the club environment.

2 CH1-2 LINE input. Unbalanced TRS jacks.

Connect mono or stereo line level sources which do

not need to route through the crossfader. For a

mono source plug into the L/M input only. For a

stereo source plug the left source into the L/M input,

and right into the R input. These are 3-pole TRS

sockets which can accept balanced or unbalanced

TRS or TS jack sources. Depending on the source

connector type, use CABLE B C E or G . To

connect RCA phono jack sources you can use the

standard CABLE A with RCA to jack adapters, or

custom make as required.

3 CH3-6 LINE input. RCA phono. Connect

stereo line level music sources such as CD, MD,

DAT, drum machines, keyboards or other

instruments. Do not connect turntables which

require RIAA equalisation. Use CABLE A .

Alternatively, you can connect to jack sources using

this cable with RCA to jack adapters. Avoid using

low grade cables such as those often supplied with

domestic equipment as these can quickly prove

unreliable in use.

4 CH3-6 PHONO input. RCA phono. Plug in

turntables with magnetic cartridges requiring RIAA

equalisation. For non-RIAA turntables plug into the

LINE input instead. Do not plug in line level sources

to the phono inputs as these will overload the

preamp and cause severe high level distortion. Use

high grade versions of CABLE A .

5 Chassis earth terminal. Two screw terminals

are provided for connecting the earth straps from

turntables. This connection earths the metal parts

of the turntable to reduce hum, buzz or similar

audible noise getting into the system.

6 RECORD output. RCA phono. This provides

a music only output not affected by the main mix

fader. Connect to a stereo recorder such as MD,

DAT or cassette to record the show. Use CABLE A

with or without adapters, or a custom cable,

depending on the recorder connector type.

7 AUX output. Impedance balanced TRS jacks.

Depending on the application of the Aux mix this

stereo line level output can be used to feed

samplers and other effects units, an additional

monitor, zone or recorder. Connect to balanced or

unbalanced equipment using CABLE B C F or

H . To connect RCA phono jack sources you can

use the standard CABLE A with RCA to jack

adapters, or custom make as required.

8 MONO output. Impedance balanced TRS

jack. This output sums the post-fader left and right

mix signals to provide a feed to mono or sub bass

amplifier systems, sound-to-light controllers and so

on. Connect to balanced or unbalanced equipment

using CABLE B C F or H .

9 BOOTH output. Impedance balanced TRS

jacks. Provides a line level music only stereo feed

to the DJ local monitor amplifier system. It is not

affected by the master fader or cue system.

Connect to balanced or unbalanced equipment

using CABLE B C F or H .

10 MIX output. Balanced XLR. This is the main

output that feeds the house PA system. Plug into

the house processor/amplifier system using

balanced CABLE D or E . It is not usual for

unbalanced equipment to be used here.

11 AC MAINS input. IEC cable with moulded

mains plug suitable for the local supply. Please

refer to Connecting Mains Power.

12 USER connector. This 9-pin D-type female

connector is not wired as standard. It is provided for

custom wiring of special modifications that may be

required for a specific application. This work, if

required, should be planned and carried out by

competent installation or service personnel.

13 HEADPHONES output. Stereo TRS jack.

Plug in stereo headphones fitted with a stereo ¼”

jack. Avoid using mini-jack to ¼” jack adapters as

these can prove unreliable with continuous use.

Use closed-ear headphones that provide maximum

acoustic isolation when cueing your sources. We

recommend that you use high quality headphones

rated between 30 to 100 ohms impedance. 8 ohm

headphones are not recommended.

WARNING To avoid damage to your

hearing do not drive headphones at high

listening levels for long periods of time. Start

with the level control set to minimum and raise it

until a comfortable listening level is achieved.

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ALLEN & HEATH XONE:62 User's Guide Page 19

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