GL2200 is a professional live mixer incorporating the breadth of facilities, FOH/monitor dual
functionality and transparent British sound quality to be expected only from much more
expensive desks. Ask anyone who’s used an Allen & Heath mixer - the sound quality is superb.
Four group and six aux busses, Allen and Heath’s excellent 4-band EQ with swept mids, input
metering, channel direct outs, comprehensive engineer’s setup tools and talkback combine to
make GL2200 a truly versatile mixer for live performances.
Four frame sizes offer 12, 16, 24 or 32 channels, including two full feature stereo channels and
two further stereo returns. Further expansion is available through the Allen & Heath Sys-Link
TM
buss interconnection system.
GL2200’s rigid all-metal mechanical construction gives long, reliable and consistent performance
in the most demanding live sound applications.
All in all, GL2200 has the flexibility, the functionality and the outstanding sound quality that
professionals demand.
FOH/stage-monitor dual functionality
4 groups, 6 auxes
Groups, auxes and L, R and M outs
12, 16, 24 and 32 channel frames
2 stereo line channels with mic capability
2 stereo returns with faders, EQ and aux sends
Channel direct outs
2-track send and return
4-band EQ with swept mids and in/out switch
Input metering on each channel
Phantom 48V, switchable on each channel
Inserts on all mono inputs
Inserts groups (auxes) and L-R outs
Comprehensive AFL/PFL monitoring
Pink noise generator for speaker setup
Oscillator for equipment line up
Talkback facility
High-performance internal power supply
Built-in combiner for external power supply
Console lamp connector
Sys-link
TM
expandability
Rugged build quality
INTRODUCTION
DUAL FUNCTIONALITY
GL2200 can be dedicated fully to front-of-house, fully to
stage monitors, or the console can function as a
combination mixer feeding both the p.a. system and
stage monitors. Panel “mode” buttons, protected against
accidental operation, select whether the master
controls handle either group/L-R outputs or aux sends.
Front-of-house.
For dedicated FOH application, the 4 groups and main
L-R busses are routed through the master faders to
balanced XLR outputs for main speaker arrays and
infills. Groups can be routed and panned to the L-R mix
for su/jointfilesconvert/274509/bgrouping and a mono output is provided for
centre fill or special feeds.
Inserts for delays, graphic EQ and other signal
processing are provided on all outputs. Six aux send
busses from every channel give full fx flexibility.
FOH + stage monitors.
Stage monitor feeds can be selected in pairs using the
mode switches. Swapping groups 1 and 2 with auxes 1
and 2, for example, gives full fader control and balanced
XLR outputs for two stage monitors, leaving groups 3
and 4 and L-R-M for FOH feeds. More auxes can be
swapped as required, enabling GL2200 to be quickly
matched to different events, different venues or
different bands.
On-stage monitors
Selecting all three mode switches sets the console to
dedicated stage monitor mode with all six auxes routed
to the metered group and L-R outs. Each balanced XLR output will have a 100mm
fader, an insert point, talkback and AFL monitor.An engineer’s wedge monitor can
be fed from the mono out connector via a protected mode switch.
Masters, monitors an
GL
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2200
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