ALLEN & HEATH XONE:92L User's Guide Page 17

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XONE:92 User Guide 17
1 CH1-2 MIC input. Balanced XLR. Plug in a
DJ, guest or announcement microphone here. Use
good quality low impedance dynamic mics such as
those specifically designed for vocals. Do not use
high impedance or unbalanced microphones, or
condenser types which require phantom power.
Use professional grade balanced cables wired as
CABLE D . Use the best cable and connectors you
can afford as these are typically subject to intense
use and abuse in the club environment.
2 CH1-2 LINE RETURN input. Unbalanced
TRS jacks. Connect mono or stereo line level
sources which do not need to route through the
crossfader. For a mono source plug into the L/M
input only. For a stereo source plug the left source
into the L/M input, and right into the R input. These
are 3-pole TRS sockets which can accept balanced
or unbalanced TRS or TS jack sources. Depending
on the source connector type, use CABLE B C
E or G . To connect RCA phono jack sources you
can use the standard CABLE A with RCA to jack
adapters, or custom make as required.
3 CH1-4 STEREO LINE input. RCA phono.
Connect stereo line level music sources such as
CD, MD, DAT, drum machines, keyboards or other
instruments. Do not connect turntables which
require RIAA equalisation. Use CABLE A .
Alternatively, you can connect to jack sources using
this cable with RCA to jack adapters. Avoid using
low grade cables such as those often supplied with
domestic equipment as these can quickly prove
unreliable in use.
4 CH1-4 STEREO PHONO input. RCA phono.
Plug in turntables with magnetic cartridges requiring
RIAA equalisation. For non-RIAA turntables plug
into the LINE input instead. Do not plug in line level
sources to the phono inputs as these will overload
the preamp and cause severe high level distortion.
Use high grade versions of CABLE A .
5 Chassis earth terminal. A screw terminal is
provided for connecting the earth straps from
turntables. This connection earths the metal parts
of the turntable to reduce hum, buzz or similar
audible noise getting into the system.
6 RECORD output. RCA phono. This provides
a music only output not affected by the main mix
fader. Connect to a stereo recorder such as MD,
DAT or cassette to record the show. Use CABLE A
with or without adapters, or a custom cable,
depending on the recorder connector type.
7 AUX 1-2 output. Impedance balanced TRS
jacks. Depending on the application of the Aux mix
these stereo line level outputs can be used to feed
samplers and other effects units, an additional
monitor, zone or recorder. Connect to balanced or
unbalanced equipment using CABLE B C F or
H . To connect RCA phono jack sources you can
use the standard CABLE A with RCA to jack
adapters, or custom make as required.
8 BOOTH output. Impedance balanced TRS
jacks. Provides a line level music only stereo feed
to the DJ local monitor amplifier system. It is not
affected by the master fader or cue system.
Connect to balanced or unbalanced equipment
using CABLE B C F or H .
9 MIX 1 output. Balanced XLR. This is the main
output that feeds the house PA system. Plug into
the house processor/amplifier system using
balanced CABLE D or E . It is not usual for
unbalanced equipment to be used here.
10 MIX 2 output. Impedance balanced TRS
jacks. This is an additional output that can feed the
house PA system or other remote audio system.
Plug into the house processor/amplifier system
using balanced CABLE C or F . It is not usual for
unbalanced equipment to be used here.
11 AC MAINS input. IEC cable with moulded
mains plug suitable for the local supply. Please
refer to Connecting Mains Power.
12 HEADPHONES outputs. Stereo TRS jack
and mini-jack. Plug in stereo headphones fitted with
either a stereo ¼” jack or mini-jack. Use closed-ear
headphones that provide maximum acoustic
isolation when cueing your sources. We
recommend that you use high quality headphones
rated between 30 to 100 ohms impedance. 8 ohm
headphones are not recommended.
13 MIDI output. 5 pin DIN socket. Connect to
either a MIDI interface or directly to MIDI
compatible equipment using a standard 5 pin DIN
(MIDI) lead.
WARNING To avoid damage to your
hearing do not drive headphones at high
listening levels for long periods of time. Start
with the level control set to minimum and raise it
until a comfortable listening level is achieved.
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