ALLEN & HEATH ML5000 User's Guide Page 32
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32 ML5000 User Guide
F GROUP / AUX 1-8 G AUX 9-16 MASTERS
F1 AUX/GRP MODE. This switch configures
each fader master 1 to 8 as either an audio group or
an auxiliary send. It is underpanel to protect it from
accidental operation. Use a pen or pointed
implement to select the required setting. The
default up position is flush with the panel.
In the up position GROUP MODE is selected. This
is the default setting for the front-of-house
application. The LED indicator lights to show that
group mode is active. In group mode, channel
switches B1 become the group routing switches.
These route the pre-pan signals for mono groups,
or post-pan for stereo groups according to channel
switch C4 . Channel rotaries B2 provide
independent post-fade aux sends to the rotary
master section H and are not associated with
these fader masters.
In the pressed position AUX MODE is selected.
This configures the master as an aux send for the
stage monitor application. The LED indicator turns
off. In aux mode, the channel rotaries B2 now mix
the signals to this master. Channel switches B1 ,
previously group routing switches in group mode,
now become pre/post-fader selectors for each send.
Note that the channel rotaries continue to feed the
independent rotary masters H with the post-fade
signals regardless of the setting of these pre/post
selectors. In this mode the rotary masters would
not normally be used.
F2 MAIN MIX. A single switch routes each
grp/aux 1 to 8 signal to the 3 output main mix.
Select this to create up to 8 su/jointfilesconvert/424790/bgroups to the main
mix. Its balance and image within the L, R and C
outputs is determined by the BLEND and PAN
controls.
F3 BLEND. This control adjusts the balance
between the LR and C outputs. Fully anti-clockwise
all the signal routes to the LR outputs and none to
C. At the detented centre position the signal routes
equally to the LR and C outputs. Fully clockwise all
signal routes to the C output and none to LR. The
control has a 3dB attenuation at centre position.
F4 PAN. Adjusts the balance between the L and
R outputs. It does not affect the C output. At the
detented centre position the signal routes equally to
L and R. PAN and BLEND combine to adjust the
balance between the 3 outputs. The control has a
3dB attenuation at centre position.
AFL
MUTE
SAFE/EDIT
PK
-6
SIG
+6
0
TB
AFL
MUTE
SAFE/EDIT
30
20
10
0
5
OO
LR C
=
LR
=
PAN
LCR
BLEND
+
MAIN
MIX
LR C
=
LR
=
PAN
LCR
BLEND
+
AUX
mode
GRP
AUX
mode
GRP
TB
MAIN
MIX
5
PK
-6
SIG
+6
0
30
20
10
0
5
OO
5
- USER GUIDE 1
- Introduction 2
- Contents 3
- Limited One Year Warranty 4
- General Precautions 6
- ML5000 Key Features 7
- QUICK START SHEET 8
- Using LCRplus™ 8
- To Clear or Set All : 9
- Using P/AFL : 9
- Problems ? 9
- 10 ML5000 User Guide 10
- ML5000 User Guide 11 11
- Technical Specifications 12
- ML5000-48 = 2106 13
- ML5000-40 = 1851 13
- ML5000-32 = 1596 13
- ML5000-24SC = 831 13
- Connecting the Power Supply 14
- Earthing 15
- Rear Panel Connections 16
- 18 ML5000 User Guide 18
- Gain Structure 19
- CONTROL LAYOUT 20
- A MONO INPUT and EQ 22
- Using the Filter 22
- Using the Equaliser 23
- B GROUP / AUXILIARY SENDS 24
- Internal Link Options 25
- Using the GRP/AUX Sends 25
- Removing the Fader 27
- Using LCRplus 28
- E STEREO INPUT and EQ 30
- Using the Dual Inputs 31
- Using Mono Sources 31
- 32 ML5000 User Guide 32
- H ROTARY AUX 1-8 MASTERS 34
- Configuring Groups and Auxes 34
- I MAIN MIX MASTERS 35
- J MATRIX and 2-TRACK 36
- 2-TRACK Output 36
- Using the Matrix 37
- K VCA GROUPS 38
- VCA Groups Explained 38
- The benefits of VCA grouping 38
- Using VCA Groups 39
- Using PAFL 39
- To Assign a VCA Group 40
- SELECT GROUP TO EDIT 41
- ASSIGN USING CH MUTES 41
- M SNAPSHOT MEMORIES 42
- A Note on Snapshot Mutes 42
- Snapshots Explained 42
- STATUSMIDI RS232 43
- Previewing Snapshot Memories 44
- To Store a Snapshot Memory 44
- To Disable Store 44
- To Recall a Snapshot Memory 45
- Turning all Mutes On or Off 45
- Using Snapshot Memories 45
- N SOLO-IN-PLACE 46
- Solo-In-Place Explained 46
- Solo Safes Explained 47
- Making a Channel Solo Safe 47
- Using Solo-In-Place 47
- The Console Monitor System 48
- The Monitor Logic 48
- Q OSC/NOISE GENERATOR 50
- R INTERCOM 51
- The Intercom Explained 51
- S TALKBACK 52
- Using Talkback 52
- The Console Meterpod 53
- Meter Types 54
- Changing from LRC to LCR 54
- 9 Recall snapshot memories 55
- Channel Mutes 56
- Snapshot Memories 56
- MIDI AFL Messages 56
- 58 ML5000 User Guide 58
- USER NOTES : 59
- 60 ML5000 User Guide 60
- Visit Allen & Heath : 60
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